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Performing 'Dis-respectability': New Tastes, Cultural Practices, and Identity Performances by Sri Lanka's Free Trade Zone Garment-Factory Workers

University of Colombo, Sri Lanka

This article describes and analyzes how female garment-factory workers in Sri Lanka's Free Trade Zones collectively express their difference from dominant classes and males and articulate their identities as a gendered group of migrant industrial workers by cultivating different tastes and by engaging in oppositional cultural practices. In the urban, modernized, and globalized areas of the FTZs, women develop unique tastes in the realms of music, dance, film, reading material, styles of dress, speech, and mannerisms. By performing subcultural styles that are subversive critiques of dominant values in public spaces, they pose a conscious challenge to the continued economic, social, and cultural domination they endure. But while workers' participation in a stigmatized culture is explicitly transgressive and critical at some levels, their demonstrated acquiescence to different hegemonic influences marks the inseparability of resistance and accommodation.

Key Words: female garment-factory workers • free trade zone • identity • performance • resistance • Sri Lanka

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